![]() ![]() Geffen got the guys a meeting with George Martin, the legendary Beatles’ producer, with whom they made their next seven albums, five in the studio, one live, and one greatest hits collection. That’s David Geffen, of course, who with his business partner Elliot Roberts, signed up to manage America, moving the three guys back to Hollywood to oversee their career.Īgain, things moved swiftly: Second album “Homecoming” produced another big hit in “Ventura Highway,” though the ambitious third record, “Hat Trick,” made a softer splash. “So we’re leaving the States as we’re hitting No. “And by then the record, which was released sometime during the first week or two that we were over there, had already like, ‘Boom!’ exploded in the U.S.” he says. We opened in New York at the Bitter End in Greenwich Village, and we ended up six weeks later at the Whisky out here. “So now we’re going back, it’s a whirlwind tour. “I hadn’t been back to the States since ’66, now it’s ’72,” Bunnell says. 1 single with “Horse” atop the Billboard charts. By early 1972, as America played its first American shows, they had their first No. “My mother loved that song so I figured she’ll be happy.”īy the end of 1971 when the debut album arrived Beckley and Bunnell were still fuzzy cheeked babes of 19. ![]() “Everybody kind of gravitated to ‘Horse With No Name,’ so sure, you know better than us,” Bunnell says. So when as the album was nearly finished the producers asked if there were any more songs, all three offered up their freshest tunes - “Horse With No Name” from Bunnell, “Don’t Cross The River,” which ended up on the second album “Homecoming” from Peek, and “Submarine Ladies,” a track on third album “Hat Track,” by Beckley. “It was almost like, ‘Go home and find another three chords.’” “We were literally writing songs every day,” Bunnell says. England signed them and sent them into the studio, where a request midway through the sessions led almost overnight to Bunnell composing the group’s signature hit, “Horse With No Name.” Gigs at their former high school and local pubs and country clubs within months turned into opening slots for bands such as Pink Floyd and the Who. Warners Bros. Train, Morris Minor, rocket ship, the vehicle didn’t matter, America moved fast as they sharpened their craft over 1970 and into ’71. “That was certainly not an original concept of ours,” Beckley says of the direction their songs headed. The sound was good, and you could hear each other perfectly and close out the sounds of the outside.”Īll three played acoustic guitar and sang, inspired not just by Crosby, Stills and Nash, but earlier loves like the Beatles and the Beach Boys, and emerging singer-songwriters such as James Taylor, Joni Mitchell and Cat Stevens. We liked to sit in the car and work out harmony parts. ![]() ![]() “We were going to Dan’s house or my house or in a car,” Bunnell says. They’d played in teen bands at school, covering popular songs such as “Nights In White Satin,” “By The Time I Get To Phoenix,” and “Born To Be Wild,” but the emergence of the singer-songwriter super group Crosby, Stills & Nash in 1969 inspired them to start writing their own material, which they all got together to share and sing when Peek returned to England for the holidays. Air Force base near London where their fathers were stationed, had the vaguest of ideas about what he might do next, leaving for what ended up a single semester of college back in the States. It went kind of from a train to a rocket ship.”Īll three had graduated high school in the spring of ’69. “To be honest, there really wasn’t a whole lot of deep thought about, ‘Oh, I don’t know if this is going to work or something. “That led to a contract, and that led to recording, and that recording was a No. “And being in London, being in the right place at the right time, we ended up on some fantastic shows,” he says. “We were gigging within a month or so,” Beckley says as he and Bunnell - Peek departed the band in 1977, passing away in 2011 - prepped for America’s 50th anniversary celebration that includes a show in Los Angeles on Friday, June 21, and another in Costa Mesa on Aug. Gerry Beckley sounds only slightly apologetic for the nonchalance with which he, Dewey Bunnell and Dan Peek accepted the speed of success they enjoyed with America, the folk-rock group they formed as expat teens in London over the Christmas holidays of 1969. ![]()
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